Pathway Pillow

A hand sewn quilted pillow in natural linen, with rows of slightly offset stripes in grey and black fabric; is sitting on a dark grey futon with blankets draped over the back.

I don’t have a witty summary of this spring. I managed to cobble a few brain cells together and started to learn quilting, an endeavor that’s been surprisingly satisfying at a time when even simple tasks can seem like a lot. The bulk of the cutting and piecing was done over the Memorial Day weekend and I experimented with a short stop motion video of the final construction steps.

Pattern: Pathway Pillow from Making Magazine No. 4: Lines. Made with Purl Soho Daily Linen in natural flax (backing fabric), with scraps of black linen/viscose blend (left over from Zadie jumpsuit), black yarn dyed Kaufman Brussels Washer linen, and a black & white printed cotton remnant from Discount Fabrics in SF.

New skills: Quilt piecing, using a walking foot, stop motion video

Lessons: When pressing seams to one side, press from above rather than below to have more control and achieve straighter lines.

Even when in stop motion mode, my camera adjusts settings after every photo - I should probably try shooting in full manual mode so that I don’t get the weird flashing effect from different light levels.

Cramming a 28 x 28 inch pillow form into a 24 x 24 inch pillow case is a bad idea.

Each (finished) strip is 4 inches wide, so it’s easy to increase / decrease the block size in 4-inch increments by increasing/decreasing the number of strips used, and lengthening them the same number of increments.

Aesthetically pleasing chaos is difficult to intentionally achieve.

What I’d do differently: I like the look of the fabrics I used but in the future, I’ll probably stick to a single thickness/weight for better consistency.

I’d like to experiment with spray starch to see if it makes the piecing process easier.

I followed the pattern instructions for the backing piece (formed by overlapping two pieces of linen) but it makes the pillow a little bit rectangular because there’s no fastener to prevent the back fabric from gaping slightly. I’m probably going to rip out the seam and sew in a zipper instead using the method in School of Sewing.

Care: Hand wash, lay flat to dry

Flat lay of strips of black, grey, and black & white patterned fabric on a cutting mat, with a rotary cutter and ruler.
Flat lay of long strips of linen waiting to be cut. A ruler is marking the next section of fabric to be cut and a rotary cutter is next to it.

Cloth Masks

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Since we’ve started shelter in place, my brain has been all kinds of horked, so I ignored the wealth of mask-related resources and made the standard NYT cloth mask pattern. It provides good coverage (I have a monster head so other masks have run small) and I can clamp my glasses over the nose bridge to keep it in place and prevent fogging.

Pattern: Fabric Face Mask published by the New York Times, sewn in an assortment of quilting cotton from Fancy Tiger Crafts. I made variants with bias tape ties and elastic that goes around the back of my head. I don’t find elastics around my ears to be comfortable so I haven’t tried ear loops.

New skills: n/a

Lessons: Wonder clips are useful for keeping the pleats in place while sewing them.

Hot irons melt elastic, so be very careful to keep the elastic out of the way while pressing. Pinning can be a good way of keeping the elastics secured while pressing.

Fabrics with metallic prints don’t hold up well to washing or condensation from breathing, and are a poor choice for mask interiors.

Elastics need to be cut on the tight side, particularly the lower one, otherwise it will be loose around the back of the neck. I also found they put a lot of pressure on the tip of my nose, resulting in discomfort, however this has reduced over time (either from getting more used to mask wearing or the elastic stretching with repeated wears, or both).

What I'd do differently: I’d like to experiment with a mask shape like the Aplat SF design.

Care: Machine wash in hot water. Tumble dry.