Fremont Bag + Leather Keychain

ID: A waxed canvas purse with leather hardware and wool front pocket sits on a futon. A leather and brass keychain hangs from a d-ring on the purse handle.

This was a quick make (well, 2 days because I'm a slow sewist) that was immensely satisfying because I got more practice with zippers, linings, and hardware and created a finished object that looks so good.

Pattern: Fremont bag kit (black waxed canvas and leather with brass hardware) with Pendleton exterior pocket expansion by Klum House. Leather Keyring kit in black by Klum House. Sewed with Gutermann polyester all-purpose thread in Black.

NB: The clarity and detail in Klum House patterns is seriously impressive. They anticipate problems and help you troubleshoot (like having a front pocket that's a little longer than the front exterior panel) and provide helpful tips to make the sewing process easier.

New skills: installing chicago screws

Lessons: Wool can be shifty/stretchy while sewing, so adding woven fusible interfacing will stabilize the fabric and prevent it from stretching.

A bi-level edge stitch foot (or a stitch in the ditch foot) are really helpful for making beautiful, straight edge stitching. Setting the needle position at 3mm will produce a lovely 1/8" seam allowance.

When boxing out seams at the bottom of a bag, pull out the fabric at the center of the bag to help align the raw edges of the box seam.

I got the best results with rivets using a regular hammer (heavier, so generates more force) and hammering on our crappy lino-covered concrete floors, and taking care to make sure the rivet was aligned vertically to prevent it from shifting / going crooked while hammering. Using a few light/medium taps on the lino sets the rivet without causing unsightly crimping from the post going into the cap.

3/32" punches are far easier to use than a 3/16" punch--the latter takes a lot of force to make a hole in 2 layers of fabric.

Use a bakelite mallet when striking the top of metal tools to prevent them from getting damaged.

The Klum House pouch was an excellent starter project before getting into the Fremont. It was a great way to practice all of the necessary skills before applying them to a larger (more expensive) kit.

When making a boxed bag bottom, an excellent technique is to mark the boxes, then sew the seam around the outside edge of the bag, backstitching over every box mark to strengthen the seam and prevent it from fraying while forming the box.

Fanning seam allowances (i.e. positioning them to opposite sides) is a great way to reduce bulk.

What I'd do differently: I maybe could have been a little fussier when positioning the front pocket so that I'd have a perfectly symmetrical pattern. (It was slightly longer then the front exterior panel, so I just lined up one edge and trimmed the other edge with the rotary cutter.) It's a very minor thing and really doesn't bother me.

Care: Spot clean

ID: A flat lay of the tools, fabric, and hardware I used to make the purse.

Leather / Wool Valet Trays

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Pattern/Technique: Wool/leather valet tray kit by Klum House. (Instructions)

Materials:

  • 5x5 inch piece of 2-3 oz vegetable tanned leather (punched with 3/32" drive punch at 1" x 5/8" at each of the 4 corners)

  • 5x5 inch piece of Pendleton jacquard wool

  • (4) double cap rivets (8mm stem)

  • Eco-Flo leather weld glue

  • 3/32" drive punch for punching holes in leather

New skills: setting double cap rivets

Lessons: Setting the rivets was tricky, and I ended up with a quite a few offset rivets. A few things I learned in the process:

  • One resource mentioned they got better results by hammering on the cap end with a series of light taps

  • I got better results with a hammer than a bakelite mallet (the mallet requires using a rivet setter and anvil). Because it's heavier, the hammer transmits more force per strike, and sets the rivet faster.

  • Hammering on a hard, solid surface is important. However, hammering on the sidewalk outside will make your rivet and leather dimpled from the concrete surface texture. I got the best results by setting rivets on the linoleum (which is on top of concrete) next to our front door. Yay for living in a rental.

  • Preventing rivets from getting offset while setting seems to come down to having well-aligned holes and trying to make sure you're hammering the rivet straight up and down.

Leather weld will "soak in" to the leather and get tacky pretty fast. Use a flexible plastic spreader to keep spreading it around into an even layer.

Take care not to get leather weld near the punched holes. The Klum House video provided instructions to cut off 1/4" from each edge of the tray so getting glue all the way to the edges wasn't critical, but I tried my best to get it close to the edge, and had good results from doing that. 

An awl was an effective tool for making rivet holes in the wool panel.

What I'd do differently: I was a little surprised by how much I like the antique brass hardware. It's a little more muted/subtle than the bright gold of the regular brass, and is a look I really like. I'd seriously consider using it on future bags/projects.

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